BAUHAUS • Mask


OMNIBUS EDITION
Release date : 19 October 2009

ORDER both ‘Mask’ and ‘In The Flat Field’:

ORDER both ‘Mask’ and ‘In The Flat Field’ together and get an EXCLUSIVE Bonus CD:

AND REMAINS is made up from alternative mixes / takes and live recordings that were superfluous to the two Omnibus Editions and we’re offering it as a bonus thank you to fans who order both of the box sets direct.


packshot

TRACK LISTING
1. Bela Lugosi’s Dead – Tomb Raider Mix
2. Terror Couple Kill Colonel – Spaceward Studio 24 April 1980
3. Double Dare – Southern Studio Mix #1
4. A God In An Alcove
5. Poison Pen
6. Hollow Hills
Recorded at University Of London Union 31 October 1980.
7. Poem
Recorded at Space Place, Chicago 9 September 1980
These tracks will not be available from any other source


US Customers click here

Recording for Bauhaus’ sophomore long player commenced in early 1981 and the following nine months saw a broadening of their palette to construct a more ebullient album around the musical catharsis. Mask’s entangled genesis is chronicled in this limited edition box set which features unreleased early versions and rejected out-takes of many of the songs. Additionally this release includes a newly mixed, complete 1981 live show that captures the band at their incendiary best.

“Managing the sometimes hard-to-negotiate trick of expanding their sound while retaining all the qualities which got them attention to begin with, on Mask the members of Bauhaus consciously stretched themselves into newer areas of music and performance, resulting in an album that was arguably even better than the band’s almost flawless debut. More familiar sides of the band were apparent from the get-go; opening number “Hair of the Dog,” one of the band’s best songs, starts with a double-tracked squalling guitar solo before turning into a stomping, surging flow, carefully paced by sudden silences and equally sudden returns to the music, while Murphy details cases of mental addictions in pithy phrases. The energy wasn’t all just explosive angst and despair, though; the one-two punches of “Kick in the Eye” and “In Fear of Fear” have as much hip-shaking groove and upbeat swing to them as portentous gloom (Ash’s sax skronk on the latter, as well as on the similarly sharp “Dancing,” is a particularly nice touch). Elsewhere, numerous flashes of the band’s quirky sense of humour – something often missed by both fanatical followers and negative critics both – make an appearance; perhaps most amusing is the dry spoken-word lyric beginning “Of Lilies and Remains,” as David J details a goofily grotesque situation as much Edward Gorey as Edgar Allen Poe. Add to that three of the most dramatic things the band ever recorded – the charging, keyboard-accompanied “The Passion of Lovers,” the slow, dark fairy-tale-gone-wrong “Hollow Hills,” and the wracked, trudging title track, where the sudden appearance of an acoustic guitar turns a great song into a near-perfect blend of ugliness and sheer beauty – and the end result was a perfect trouncing of the sophomore-slump myth.” – Ned Raggett : All Music Guide

The re-mastered set includes Mask, a second disc of the non-album singles, previously unreleased demos and alternative versions plus a newly mixed 1981 live show on the third disc. This Omnibus Edition is presented as a limited edition box set with the three CD’s in Japanese-style paper sleeves, reproducing the original vinyl cover art, accompanied by a 48 page book that traces the development of the album with rare memorabilia and photographs and contains the complete lyrics.

CD 1 MASK
Hair Of The Dog
The Passion Of Lovers
Of Lilies And Remains
Dancing
Hollow Hills
Kick In The Eye (2)
In Fear Of Fear
Muscle In Plastic
The Man With X-Ray Eyes
Mask

CD 2 SINGLES & OUT-TAKES
Kick In The Eye (original single version A side)
Satori (single B side)
In Fear Of Fear (original version) *
In Fear Of Dub
Muscle In Plastic (rough mix version) *
Dancing (rough mix version) *
Hair Of The Dog (rough mix version) *
Monkey (Poison Pen) (rough mix version) *
Ziggy Stardust (rough demo version) *
Earwax (full unedited version) *
1-2-3-4 (single B-side)
Muscle In Plastic (rejected album mix) *
Hollow Hills (rejected album mix) *
Hair Of The Dog (rejected album mix) *
Poison Pen *
Kick In The Eye (single re-mix version)
Dave and Danny’s Waspie Dub (# 2) *

*Previously unreleased

CD 3 THIS IS FOR WHENLIVE
This Is For When…
The Passion Of Lovers
In The Flat Field
Silent Hedges
In Fear Of Fear
Terror Couple Kill Colonel
The Man With X-Ray Eyes
Dancing
Mask
Rosegarden Funeral Of Sores
Hair Of The Dog
Kick In The Eye
A God In An Alcove
Hollow Hills
Stigmata Martyr
Dark Entries
Bela Lugosi’s Dead

Previously unreleased

EXCLUSIVE BONUS DISC

AND REMAINS is made up from alternative mixes / takes and live recordings that were superfluous to the two Omnibus Editions and we’re offering it as a bonus thank you to fans who pre-order both of the box sets direct from this site.

TRACK LISTING
1. Bela Lugosi’s Dead – Tomb Raider Mix
This is a new mix based on the Hammersmith Palais ’81 live performance (the same as on ‘Press The Eject’). It has a constant rhythm (the live take starts at a gallop, quickly slowing to a canter) and uses a studio vocal that was added to the multi-track.
2. Terror Couple Kill Colonel – Spaceward Studio 24 April 1980
There are already 3 versions of TCKC on the box set (that’s enough) but this version was briefly available (by accident) on a re-press of the vinyl single and quickly withdrawn.
3. Double Dare – Southern Studio Mix #1
The unreleased mix #4 is on the box set but this is an earlier take.
4. A God In An Alcove
5. Poison Pen
6. Hollow Hills
Recorded at University Of London Union 31 October 1980. We wanted to include a live disc with ‘In The Flat Field’ Omnibus Edition but only one official recording was made of a show (at ULU). The tape was a live monitor mix so the sound balance was way out with Daniel’s guitar recorded far too low in the mix. Sadly there were no multi-tracks so a re-mix wasn’t possible. These are the only 3 tracks worth salvaging from the tape. It’s a shame, as audience bootlegs show that Bauhaus were always a dynamic live band right from their early shows.
7. Poem
Recorded at Space Place, Chicago 9 September 1980
This is from a bootleg and it’s a bit of fun that Peter employed during some of the 1980 shows.

REVIEWS

Mojo

Classic Rock

The Times

And an excellent ‘Re-issue of the month’ in Record Collector

Comment

 
Back