1. The Greater Times
2. To The East
3. After The Call
4. Tram 21
5. In Berlin
6. At Sea
7. Between The Wolf And The Dog
8. Saturday
9. Five
10. Cut And Run
11. The Lighthouse
2. To The East
3. After The Call
4. Tram 21
5. In Berlin
6. At Sea
7. Between The Wolf And The Dog
8. Saturday
9. Five
10. Cut And Run
11. The Lighthouse
Electrelane
No Shouts No Calls
Too Pure
Released 30 April 2007
PURE 201 LP
Following "Rock It To The Moon" (2001), "Power Out" (2004), and "Axes" (2005), there seems to be a new kind of light shining on Electrelane that remains strong throughout this record, but the willingness to push the envelope hasn't left the band either. "No Shouts No Calls" is an album of enticingly irregular brilliance.
From the first euphoric cymbal crashes in ‘The Greater Times’, there seems to be a new kind of light shining on Electrelane which remains strong throughout this album. Whether it’s because of the dainty guitar notes of ‘To The East’, the ebb-and-flow piano of ‘Saturday’ or the charmingly simplistic Ukulele strums on ‘Cut And Run’, there’s no doubt that this is an album inspired by warm emotions. Susman’s surprisingly honest and touchingly tender lyrics also attest to that time and time again but the willingness to push the envelope hasn’t left the band either. At times, No Shouts, No Calls touches on the heaviest material they’ve written. For example, the furious, metallic riffing that Clarke slashes out of her guitar during ‘Between The Wolf And The Dog’ are unexpectedly violent but undeniably exciting whilst Gaze pounds the drums with a new found viciousness during ‘Five’ which frequently boils over with rhythmic intensity. But even these moments are executed with a playful heart rather than a perturbed one.
From the first euphoric cymbal crashes in ‘The Greater Times’, there seems to be a new kind of light shining on Electrelane which remains strong throughout this album. Whether it’s because of the dainty guitar notes of ‘To The East’, the ebb-and-flow piano of ‘Saturday’ or the charmingly simplistic Ukulele strums on ‘Cut And Run’, there’s no doubt that this is an album inspired by warm emotions. Susman’s surprisingly honest and touchingly tender lyrics also attest to that time and time again but the willingness to push the envelope hasn’t left the band either. At times, No Shouts, No Calls touches on the heaviest material they’ve written. For example, the furious, metallic riffing that Clarke slashes out of her guitar during ‘Between The Wolf And The Dog’ are unexpectedly violent but undeniably exciting whilst Gaze pounds the drums with a new found viciousness during ‘Five’ which frequently boils over with rhythmic intensity. But even these moments are executed with a playful heart rather than a perturbed one.