1. Wild Flower
2. Peace Dog
3. Lil' Devil
4. Aphrodisiac Jacket
5. Electric Ocean
6. Bad Fun
7. King Contrary Man
8. Love Removal Machine
9. Born to Be Wild
10. Outlaw
11. Memphis Hip Shake
2. Peace Dog
3. Lil' Devil
4. Aphrodisiac Jacket
5. Electric Ocean
6. Bad Fun
7. King Contrary Man
8. Love Removal Machine
9. Born to Be Wild
10. Outlaw
11. Memphis Hip Shake
The Cult
Electric
Beggars Banquet
Released 6 April 1987
BBL-80
Electric was The Cult's third album, and it was released in 1987 as the follow-up to their breakthrough album Love. Producer Rick Rubin gave the band the confidence to record the album "dry", with minimal overdubs and echo, resulting in a fist-punching yelp of boogie energy that demands to be heard at maximum volume. Rolling Stone said "despite the hovering shades of Zeppelin, Bon Scott and others, Electric does more than pilfer bygone metal mayhem. It swaggers, crunches and howls, all right, but it does so with irreverence (not surprising with raunch expert Rick Rubin behind the board)."
Press
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Classic Rock - How The Cult's Electric helped save rock
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For Ian Astbury, The Cult Is Not a Legacy Act
Even in middle life, Cult frontman Ian Astbury flashes the wide-eyed bemusement of an adolescent punker struggling to identify with stodgy, sensible grown-ups. As his band of three decades preps the release of its 10th album of elegant hard rock, he’s a starburst of creative ambition and hyper-curiosity, frustrated by the fiscal realities of digital-age music commerce and the stylistic expectations foisted upon veteran acts.